There is something at the bottom of every new human thought, every thought of genius, or even every earnest thought that springs up in any brain, which can never be communicated to others, even if one were to write volumes about it and were explaining one’s idea for thirty-five years; there’s something left which cannot be induced to emerge from your brain, and remains with you forever; and with it you will die, without communicating to anyone perhaps the most important of your ideas.
Monday, September 30, 2013
Sunday, September 29, 2013
I am jealous of those who think more deeply, who write better, who draw better, who look better, who live better, who love better than I.
We are living in a culture entirely hypnotized by the illusion of time, in which the so-called present moment is felt as nothing but an infinitesimal hairline between an all-powerfully causative past and an absorbingly important future. We have no present. Our consciousness is almost completely preoccupied with memory and expectation. We do not realize that there never was, is, nor will be any other experience than present experience. We confuse the world as talked about, described, and measured with the world which actually is.
There is an inner beauty about a woman who believes in herself, who knows she is capable of anything that she puts her mind to. There is a beauty in the strength and determination of a woman who follows her own path, who isnt thrown off by obstacles along the way. There is a beauty about a woman whose confidence comes from experiences; who knows she can fall, pick herself up, and move on.
Let someone love you just the way you are – as flawed as you might be, as unattractive as you sometimes feel, and as unaccomplished as you think you are. To believe that you must hide all the parts of you that are broken, out of fear that someone else is incapable of loving what is less than perfect, is to believe that sunlight is incapable of entering a broken window and illuminating a dark room.
Saturday, September 28, 2013
We live our lives of human passions,
cruelties, dreams, concepts,
crimes and the exercise of virtue
in and beside a world devoid
of our preoccupations, free
from apprehension—though affected,
certainly, by our actions. A world
parallel to our own though overlapping.
We call it “Nature”; only reluctantly
admitting ourselves to be “Nature” too.
Whenever we lose track of our own obsessions,
our self-concerns, because we drift for a minute,
an hour even, of pure (almost pure)
response to that insouciant life:
cloud, bird, fox, the flow of light, the dancing
pilgrimage of water, vast stillness
of spellbound ephemerae on a lit windowpane,
animal voices, mineral hum, wind
conversing with rain, ocean with rock, stuttering
of fire to coal—then something tethered
in us, hobbled like a donkey on its patch
of gnawed grass and thistles, breaks free.
No one discovers
just where we’ve been, when we’re caught up again
into our own sphere (where we must
return, indeed, to evolve our destinies)
—but we have changed, a little.
The heart of autumn must have broken here, and poured its treasure out upon the leaves.

"Meditating is seeing into oneself, and it is not the role of the seer to intervene; he does not descend to the level where what is seen takes place. The seer is a higher level in oneself, the lower remains as it is. It is simply there to be seen objectively, as one would stand in front of Hieronymous Bosch’s Garden of Delights. One may be intrigued, horrified, fascinated, amused and so on, but one is an onlooker to these events and not a participant.”
–Sir Richard Temple, from an intimate personal account of Buddhist meditation in Thailand. This appears as part of his beautiful book The Art of Meditation.
It’s as though you have a certain music in your head, and trying to get that music out on the page is absolute hell. But what you have to do is give yourself a day, go back, revise, over and over and over again.
Playing with the Web
Play is an evolutionary advantage. According to evolutionary psychologist Peter Gray, young mammals play to develop the skills necessary to survive. They play at precisely those things which will aid survival. Not coincidentally, those are the things that the adults of the species “work” at. Lion cubs, Gray explains, “play at stalking and pouncing.” Zebras “play at fleeing or dodging.” The animals play, explore, get bored, play some more, explore some more. They do so with little to no supervision, left almost entirely to their own devices. By doing so, they prepare themselves for adulthood.
In hunter-gather communities (which included nearly all of us until, relatively speaking, not long ago), children spend almost all of their time playing (we are mammals, after all). Their play exhibits the same qualities as that of other mammals: they mimick adults.
The boys played endlessly at tracking and hunting, and both boys and girls played at finding and digging up edible roots. They played at tree climbing, cooking, building huts, and building other artefacts crucial to their culture, such as dugout canoes. They played at arguing and debating, sometimes mimicking their elders or trying to see if they could reason things out better than the adults had the night before around the fire.
This dynamic, of course, still plays out in modern hunter-gather tribes, but not exclusively so. At Sudbury Valley School in Massachusetts, children play all day long. There is no curriculum, just a loose set of rules, the goal of which is simply “keeping peace and order.”
Yet these students go on to lead perfectly normal, and sometimes exemplary lives. To a society which places increasing importance on early education, that can be alarming... and that’s Gray’s entire point. We are headed in the wrong direction. The obsessive tendency of our culture to put kids in school earlier, to test them more often, to, essentially, replace play with work at an early age, is doing more harm than good. We’re taking away the evolutionary advantage of play, and we do so at our own peril (and that of our kids).
Gray’s point (and it’s an important one) is that we need to rethink the educational system to incorporate more play, and return the advantage that play affords.
I’m interested, though, in how this concept plays out on the modern web.
Most of us who work on the web remember the world that predates it. We grew up without the web, and thrust ourselves into this brave new world as adults. In doing so, we lost the ability to, and the advantage of, play. The internet grew up too fast, and as a result, it sometimes feels like we skipped its childhood entirely.
Twitter and Wordpress, and even email, are young. Despite the youth of the web, however, we have established an incredible amount of rules for these practices. There are “proper” ways to tweet, to blog, even to email.
For many, the rules in place are necessary, even essential. Politicians who use Twitter to blast a minority segment, or journalists who publish their work on the web, should be held to standards, and should work within the bounds of our newly-created, largely unspoken guidelines.
And, true, there are plenty of those who doing nothing but play when they open their browser. But what of those of us who work and play here? Is more pageviews and quicker sells really all we’re after?
When I see a blinking cursor, I often think “what am I supposed to say?” Often, I simply write that answer. It happens when I tweet, it happens when I publish a post, it happens when I post to Medium. Who is my audience, and what do they want to hear? If I’m on Twitter, they’ll want to hear about that interesting thing I just read, or some snarky comment on whatever it is that’s happening today. If I publish to my blog (here), readers want to hear something uplifting, something that makes them smile, or see the world in a different light (at least, that’s my impression, but there’s the very real possibility that I’m doing this all wrong). If I put something on Medium (which I so rarely do), I’m sure that, inadvertently, I’m thinking of the posts I’ve read there, their model, their form, in order to emulate it.
But when was the last time I saw a blinking cursor and thought: let’s play? Forget how people will respond, whether it will get any clicks of pageviews. Just play. How far would it go in changing the ethos of the web if those of us who live, work, and play here would just loosen the fuck up?
There’s another repercussion of that ethos of all work and no play, too: it follows us everywhere, even—especially—when we close our laptop lids.
So much is available for us to learn. Coursera and the Khan Academy give us direct access to educational materials. Podcasts give us some insight into our chosen profession. We follow blogs and Twitter accounts of those whom we’d like to emulate. The information, and the ability to grow professionally, or even personally, is there, and always available.
And so it happens that when I sit at home in the evening, I feel its pull. I could unwind, watch a show, play a game, take a walk. I could play. if I choose to do so, though, I feel the nagging guilt of the MOOC or the podcast. I should be furthering my goals, should be growing, should be learning. I could be taking a course. I could be writing. I could be creating. I could be, should be an adult.
It’s not just the pull of the mention, the email, the notification that I feel. It’s the pull of the potential, the opportunity that I’m missing out on. The unintended consequence of my deciding to work on and immerse myself in the web is that I can’t get away from it. I’ve lost the ability to play.
All this is not to say that we should abandon the opportunity for growth that the web affords; quite the opposite. We should be doing everything in our power to extend it, to harness it. We must not let it overshadow the opportunity to play. As Gray mentions, play is as critical to our growth as is work.
They don’t necessarily think of themselves as learning. They think of themselves as just playing, or ‘doing things’, but in the process they are learning.
At Sudbury Valley, the consequence of letting kids play at what they wish is they often grow up to be the thing they spent their childhood playing at. A girl who played with boats is now the captain of a cruise ship. A boy who played at building things is now a machinist and inventor.
Play is not play, then, not really. It’s practice for the things we want to do when we grow up... and doesn’t practice make perfect?
So, then: build silly things. Write absurdities. Have a not-so-serious conversation. Assuming your work is done, do whatever the hell you want.
We don’t have to grow up just yet.
Friday, September 27, 2013
Thursday, September 26, 2013
You should never read just for “enjoyment.” Read to make yourself smarter! Less judgmental. More apt to understand your friends’ insane behavior, or better yet, your own. Pick “hard books.” Ones you have to concentrate on while reading. And for god’s sake, don’t let me ever hear you say, “I can’t read fiction. I only have time for the truth.” Fiction is the truth, fool! Ever hear of “literature”? That means fiction, too, stupid.

I’m not sure I’ve ever seen a better example of modern meets retro in a bike.
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If you ever see a typography lover, smeared with blood, bellowing while holding a steaming human heart above his head, the point of contention was very probably the use of smart quotes versus dumb quotes.
Wednesday, September 25, 2013
Tuesday, September 24, 2013
Jonathan Franzen: what's wrong with the modern world
Jonathan Franzen: what’s wrong with the modern world http://feedly.com/k/14MZQl6
Jonathan Franzen: what's wrong with the modern world
Monday, September 23, 2013
Sunday, September 22, 2013
It doesn’t interest me what you do for a living, I want to know what you ache for. It doesn’t interest me how old you are, I want to know if you are willing to risk looking like a fool for love, for your dreams, for the adventure of being alive. I want to know if you can live with failure, yours and mine. It doesn’t interest me where you live or how rich you are, I want to know if you can get up after a night of grief and despair, weary and bruised to the bone, and be sweet to the ones you love. I want to know if you can be alone with yourself and truly like the company you keep in the empty moments of your life.
Saturday, September 21, 2013
When you re-read a classic you do not see in the book more than you did before. You see more in you than there was before.
Different, and the Same
I’ve always had an aversion to the crowd mentality. That aversion has been so strong at times that I wasn’t able to defend it with logic or reason.
Simple case in point: in my early 20s, while serving a stint in the Navy, Corona was my beer of choice. While everyone else was drinking Bud Light, mine was the sole yellow beer at any gathering. One day, a single friend of mine made the switch, and he, too, became a Corona man. It triggered an avalanche, and before I knew it, everyone was drinking Corona.
So I switched again, this time to the darkest beer I could find. If I could develop a taste for dark beers while everyone else was getting used to the light, sun-drenched taste of Corona, I could again play the part of the radical.
It was silly, of course. Who cares what beer I drink, and above all, why should the behavior of the crowd affect my behavior in any way?
This tendency, this need to defy the crowd eventually seeped into my approach to thought. I began reading differently, doing differently, and eventually, thinking differently.
Emboldened by my new outlook, I began proselytizing. There were other, better ways to live, I told friends. People who have gone before us, brilliant people, have faced the same problems as we, and have crafted new approaches, full of promise and meaning- precisely the thing that everyone I knew was lacking.
No one wanted to hear it.
At the time, I assumed that I was simply not a good messenger, that too much had been lost in translation. I needed to know more, to learn more. Everyone wanted meaning — truth — in their lives. Everyone wanted to ascend, to escape the banality of the everyday. They simply lacked the vehicle.
I read more, became more involved, more mindful. I wanted to be that vehicle.
So many years later, still, no one wants to hear it.
The first time I read Crime and Punishment, I was ashamed at how readily I related to Raskolnikov’s notion of the superior man. True, I was appalled by his notion that the superior type of man need not live by the laws, written or otherwise, that the rest lived by, but the basic notion of humanity being divided into two types of person intrigued and even satisfied me.
That was it; that was the reason that no one wanted to listen to me. There were two types: those who value truth, and those who don’t. For whatever reason, I was one of the former.
It’s not that simple, of course: when we’re confronted with a problem, nothing is more attractive than an oversimplified answer that solves everything in one fell swoop. Still, the basic truth at the core of that answer stayed with me.
In Lines of Flight: Deleuze and Nomadic Creativity, Tim Rayner speaks of the counterculture revolutions in both the New Left movements in 60s and 70s France, and the hippie culture of 1960s America. He makes a subtle but significant observation about the movements:
Deleuze’s idea of lines of flight can help us clear up a common misconception about the sixties counterculture. The counterculture was not fundamentally oriented against mainstream society. It was oriented away from it.
For years, I condemned my own line of thinking on the reductionist view of Raskolnikov: if there were two types of people, then I was a member of the better crowd. I was different. I was superior.
That, of course, is a very narcissistic view, and since I am not a narcissist, the thought left me uncomfortable. I abandoned it... but always felt the nagging guilt that one must feel when dropping off a dog a the pound. I was the owner of this thought, and it depended upon me for its survival. I was abandoning it.
Rayner, though, is right about counterculture: it is not a condemnation of culture itself. It’s merely a desire to not be a part of that culture.
By not wanting to be part of the crowd that doesn’t value truth or meaning, I don’t necessarily have to condemn them. I am not better than them; I am simply different. This is an incredibly liberating feeling: by framing the thought process differently, I removed guilt. By removing guilt, I am free to act on my thoughts.
There are many people who are not only comfortable with the problems of the world, but in fact thrive on them. In History and Guilt, Susan Neiman speaks to the crucial function that the history of World War II plays in current American culture:
The prominence of the Holocaust in American culture serves a crucial function: we know what evil is, and we know the Germans did it.
This concise thought sums up so much of my problem with modern society. For some, there must be an evil, or, at the very least, something to complain about. Their very own identities are wrapped up in railing against these ills of society. You know these people: they never stop complaining. They manufacture problems to speak out against. They make a living out of casting blame on the other guy. For them, someone must be the bad guy so that they can convince themselves that they are one of the good guys.
This inevitably leads to a black-and-white view of the world. There is no nuance, because to introduce nuance would be to upset the balance of that fragile worldview, and thus their own identity. Ask one of these people to view a situation from the point of view of the “bad guy” and the task will seem not only unconscionable, but ridiculous. That’s because their brain is telling them that to go down that road might upset that person’s view, not only of that supposed bad guy, but even of themselves. The truth is important only when it doesn’t force us to cast our gaze inward.
I’ve spent a lot of time discussing/ debating/ arguing with people like this. I’ve done so out of the obligation I felt to disprove my all-but-discarded theory that I’m better than them. I didn’t want to be better, because I didn’t want to be a narcissist.
The fact is, though, I am different. In many ways, they’re better than I am. In the end, it doesn’t matter. My desire to differentiate myself does not mean I have to condemn these people; simply that I acknowledge them. I am not against them. I simply want to be free from them. I want my line of flight.
Friday, September 20, 2013
Thursday, September 19, 2013
Wednesday, September 18, 2013
Children are suffering a severe deficit of play – Peter Gray – Aeon
The play deficit
http://www.aeonmagazine.com/being-human/children-today-are-suffering-a-severe-deficit-of-play/
Children are suffering a severe deficit of play – Peter Gray – Aeon
Tuesday, September 17, 2013
Now, were any one to write me a letter in this MS., requiring me to involve myself with its inditer in any enterprise of moment and of risk, it would be only on the score of the commonest civility that I would condescend to send him a reply.
Monday, September 16, 2013
"He is one who is admitted to contemplate the work of art, and, if the work be fine, to forget in its contemplation and the egotism that mars him – the egotism of his ignorance, or the egotism of his information."
“Most people think of the mind as being located in the head,” writes Diane Ackerman in “A Natural History of the Senses,” “but the latest findings in physiology suggest that the mind doesn’t really dwell in the brain but travels the whole body on caravans of hormone and enzyme, busily making sense of the compound wonders we catalogue as touch, taste, smell, hearing, vision.” There was no substitute for being immersed in nature — in my case, in the home turf of elephants, lions and crocodiles — and hearing, smelling, feeling and sometimes tasting what was in their environment

‘Made To Love’ by john legend
Gettin’ a little soul in my life (‘Made to Love’ by John Legend is my new jam).
Sunday, September 15, 2013
keep good company. don’t hang out with negative, bitchy, judgemental assholes (or…don’t hang out with them too much. sometimes you gotta, especailly if they’re family). don’t do too many drugs or drink too much. (do shit, but everything in moderation.) floss hydrate unplug. we’re all too fucking plugged in, including me. put your phone in a drawer the next time you’re hanging out with someone. it feels amazing. yoga, mediation, or any kind of mindfulness practice is gold. it keeps me sane, at least. i don’t think i’d be here, where i am, without those things. i’ve been doing this one lately and finding it incredibly handy…occasionally look around, or wake up, and ask: “how can i be helpful” instead of “what do i want”. it re-focuses you. don’t take shit too seriously. everything changes. remember every so often that you’re going to die. sounds weird, but it helps. lastly…. don’t watch stupid television, and especially stay away from advertising. it rots your time and your brain and your soul.
The inimitable Amanda Palmer shares her advice on life in answering a college freshman’s question about how to love oneself physically and mentally – fantastic addition to this archive of essential advice on life.
David Foster Wallace would vigorously agree with her last point.
Also see Palmer on the art of asking without shame and on the terrifying joy of sharing your creativity online.
(via explore-blog)
Yes, this. All of it.
Saturday, September 14, 2013
It is extremely difficult to stay alert and attentive, instead of getting hypnotized by the constant monologue inside your own head (may be happening right now). Twenty years after my own graduation, I have come gradually to understand that the liberal arts cliché about teaching you how to think is actually shorthand for a much deeper, more serious idea: learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed. Think of the old cliché about ‘the mind being an excellent servant but a terrible master.’
This, like many clichés, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head. They shoot the terrible master. And the truth is that most of these suicides are actually dead long before they pull the trigger.
And I submit that this is what the real, no-bullshit value of your liberal arts education is supposed to be about: how to keep from going through your comfortable, prosperous, respectable adult life dead, unconscious, a slave to your head and to your natural default setting of being uniquely, completely, imperially alone day in and day out.
On the 5th anniversary of David Foster Wallace’s death, his timeless commencement address on the meaning of life – the only public talk he ever gave on his worldview and philosophy.
"It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience."
(via kateoplis)The Notebook of the Web
Sarah Gerard recently ruminated on what it means to keep a notebook for the Paris Review. Sarah is an accomplished writer, so keeping a notebook, for her, means something more substantial than for most.
It wasn’t always that way. As a child, Gerard didn’t have any preconceptions about what it meant to keep a notebook:
Most of my childhood notebooks are lost–begun in a state of excitement but half- or quarter-filled and abandoned after a few weeks. It wasn’t until high school that I began to think about my notebooks as things that needed to be preserved.
Through the simple act of living in a world which cannot fail to impose its social constraints, Gerard began to assign more and more weight, not just to the concept of keeping a notebook, but to the notebooks themselves, spending vast amounts of time considering which particular notebook would be suitable for her purpose:
It took me a long time to write them: several hours spent sitting in a café using several different pens. I had chosen the notebook carefully after considering many options; there were rules about how durable it had to be, how broad the pages, how tall the lines (it had to be lined). I looked at different brands: Rollbahn (an old favorite), Leuchtturm, Moleskine, Rite in the Rain. I didn’t want something with a hard back (although this is ultimately what I ended up with). I didn’t want something too small because I was afraid it wouldn’t encourage longer entries.
Gerard’s concept of a notebook as an adult became a staggeringly different thing than the notion of the notebook that she held as a child. When she was young, it was a place for secrets, for stolen glances, for private observations about herself and her world. As she grew, the notebook took on a role of gravity, of her own perception of herself and her ideas. Having spent so much time choosing a notebook, she sat down in a cafe, and, when faced with the blank page, the child again took over. She wrote until her hand was tired.
We live in a time of thinking in public. The tweet, the status update, the blog post... all, by now, are tired clichés of the mundanity of an offline life spoken through the mouths of our avatars. This, of course, is the same offline life that mutated Gerard’s perceptions of a notebook. Might it not do the same, then, for our concept of online speech?
In the early days of social networking, there were few, if any, rules. Over time, we’ve developed a system of etiquette, of norms, of the “proper” way to tweet or write for an online audience. Some are useful, and extend common courtesy: don’t be too cynical. Don’t tweet your lunch. Don’t complain, and for God’s sake, don’t make your kid your Facebook avatar (it’s creepy). All of these can be distilled into one thing: respect the time and attention of those who follow you on social media. They have lives, jobs, babies, hobbies- and they choose to temporarily suspend those things in order to see what you have to say. Respect that.
Other norms have developed more subtly, like rivers slowly carving out the shape of their beds. Stay positive. Don’t get off-topic. If you keep a blog, you’ll find a mind-boggling amount of articles telling you how to do that effectively (try this, this, or this.
The effect of all these constraints, this “advice,” is the same as the effect of adulthood on Gerard’s approach to keeping a notebook: we think too damn much about it.
One of the most beautiful and exciting effects of the modern web is the fact that it’s melded professional and personal writing. You still have massive publications like the Times and Atlantic, of course, which exemplify professional writing (and thank God for that), but the web also brought about the professional writer who gets a bit personal, and the personal writer who gets a bit professional. These norms (read: constraints) that have arisen are pushing those writers back into their respective corners. If you’re professional, stick to your topic. Remember: you have a brand to uphold. If you’re personal, stick to your topic: you’re building a brand, you know.
So we talk about the things we’re supposed to talk about, whether on our blogs or on Twitter or Facebook.
If I may, fuck that.
We’re not wired that way. We’re built to tell stories, to go off on tangents, to broaden our horizons. We do ourselves no favors by walking through this tunnel when there are entire valleys to be traversed.
Nor do we do our followers, our readers any favors. Think about the last four or five pieces you’ve read, or the last few hours of your Twitter timeline. How much is regurgitated thought? How much is a slightly different take on the same thing? We’ve homogenized the web (or, at least, that’s the path we’re walking).
Humans are built to tell stories. We connect with one another not by our approach to Syria, or by our credentials, or even by our interests. We connect because we hear stories we can relate to. We connect because we know the heartache of losing a loved one, or of being bullied, or of failing. We connect because we know the soaring triumphs of overcoming adversity, of seeing our child’s first smile, of finding ourselves.
If we’re not careful, though, we’ll lose those stories, that ability to connect, to the homogenized, hyper-focused web.
I am not advocating that we all throw away our chosen disciplines, our interests, in the name of making the web our own personal diaries. I am merely saying this: the next time you see a blinking cursor, think about the limitations of years of being told what to write. If you feel like working within those limitations, so be it. If not, though, open yourself up, and put yourself — and your words — out there.
Friday, September 13, 2013
I wonder if every creative person hits this moment, when, for some reason, they don’t make the work for a while. Could be family or personal stuff, a giant vacation, a service trip, god forbid an illness, or anything else that separates you from your body of work for a period. They step away from all that work and when they return, they want to pull everything they’ve made back in. Undo the work. Unsay the words. And once you realize you can’t unsay things, even if you’ve deleted the work, there’s a period of wanting to revolt against your old self to clear the slate.
Thursday, September 12, 2013
Wednesday, September 11, 2013

Indian Institute of Management in Ahmedabad, India. Louis Kahn. 1962-74.
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A 300-Year-Old House Transformed Into A Minimalist Modern Home - DesignTAXI.com
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The most gorgeous phone setup I’ve ever seen.
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Spray and cloth cleaner in one (for digital screens).
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A Sleek Radio And Speaker That Channels Dieter Rams
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A dual-screen e-reader? with personalized front and back covers? I would absolutely buy this.
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A ‘Living Cube’ Which Serves As Both A Storage Space And A Bed - DesignTAXI.com
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A dual-sided notebook: a side for rationality, a side for creativity.
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M4-house - Explore, Collect and Source architecture
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…since our capacity for understanding is what makes us human, it is our duty to explore how our understanding works.
Tuesday, September 10, 2013
Download books
classic literature:
- 1984 by George Orwell
- A Christmas Carol by Charles Dickens
- A Portrait of the Artist as a Young Man by James Joyce
- A Tale of Two Cities by Charles Dickens
- Aesop’s Fables by Aesop
- Agnes Grey by Anne Brontë
- Alice’s Adventures in Wonderland by Lewis Caroll
- Andersen’s Fairy Tales by Hans Christian Andersen
- Anne of Green Gables by Lucy Maud Montgomery
- Anna Karenina by Leo Tolstoy
- Around the World in 80 Days by Jules Verne
- Beyond Good and Evil by Friedrich Nietzsche
- Bleak House by Charles Dickens
- Crime and Punishment by Fyodor Dostoevsky
- David Copperfield by Charles Dickens
- Down and Out in Paris and London by George Orwell
- Dracula by Bram Stoker
- Dubliners by James Joyce
- Emma by Jane Austen
- Erewhon by Samuel Butler
- For the Term of His Natural Life by Marcus Clarke
- Frankenstein by Mary Shelley
- Great Expectations by Charles Dickens
- Grimms Fairy Tales by the brothers Grimm
- Gulliver’s Travels by Jonathan Swift
- Heart of Darkness by Joseph Conrad
- Jane Eyre by Charlotte Bronte
- Kidnapped by Robert Louis Stevenson
- Lady Chatterly’s Lover by D. H. Lawrence
- Les Miserables by Victor Hugo
- Little Women by Louisa May Alcott
- Madame Bovary by Gustave Flaubert
- Middlemarch by George Eliot
- Moby Dick by Herman Melville
- Northanger Abbey by Jane Austen
- Nostromo: A Tale of the Seaboard by Joseph Conrad
- Notes from the Underground by Fyodor Dostoevsky
- Of Human Bondage by W. Somerset Maugham
- Oliver Twist by Charles Dickens
- Paradise Lost by John Milton
- Persuasion by Jane Austen
- Pollyanna by Eleanor H. Porter
- Pride and Prejudice by Jane Austen
- Robinson Crusoe by Daniel Defoe
- Sense and Sensibility, by Jane Austen
- Sons and Lovers by D. H. Lawrence
- Swanns Way by Marcel Proust
- Tarzan of the Apes by Edgar Rice Burroughs
- Tender is the Night by F. Scott Fitzgerald
- Tess of the d’Urbervilles by Thomas Hardy
- The Adventures of Huckleberry Finn by Mark Twain
- The Adventures of Tom Sawyer by Mark Twain
- The Brothers Karamazov, by Fyodor Dostoevsky
- The Great Gatsby
- The Hound of the Baskervilles by Arthur Conan Doyle
- The Idiot by Fyodor Dostoevsky
- The Iliad by Homer
- The Island of Doctor Moreau by H. G. Wells
- The Jungle Book by Rudyard Kipling
- The Last of the Mohicans by James Fenimore Cooper
- The Legend of Sleepy Hollow by Washington Irving
- The Odyssey by Homer
- The Merry Adventures of Robin Hood by Howard Pyle
- The Metamorphosis by Franz Kafka
- The Picture of Dorian Gray by Oscar Wilde
- The Portrait of a Lady by Henry James
- The Prince by Nicolo Machiavelli
- The Scarlet Pimpernel by Baroness Orczy
- The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson
- The Tales of Mother Goose by Charles Perrault
- The Thirty Nine Steps by John Buchan
- The Three Musketeers by Alexandre Duma
- The Time Machine by H. G. Wells
- The Trial by Franz Kafka
- The War of the Worlds by H. G. Wells
- Treasure Island by Robert Louis Stevenson
- Ulysses by James Joyce
- Utopia by Sir Thomas More
- Vanity Fair by William Makepeace Thackeray
- Within A Budding Grove by Marcel Proust
- Women In Love by D. H. Lawrence
- Wuthering Heights by Emily Brontë
modern literature:
- A Clockwork Orange - Anthony Burgess
- A Study In Scarlet - Sir Arthur Conan Doyle
- Abraham Lincoln, Vampire Hunter - Seth Grahame-Smith
- An Abundance of Katherines - John Green
- Artemis Fowl - Eoin Colfer
- Bossypants - Tina Fey
- Breakfast At Tiffany’s - Truman Capote
- Bridget Jones’s Diary - Helen Fielding
- Catcher In The Rye - J.D. Salinger
- Charlie And The Chocolate Factory - Roald Dahl
- City of Bones - Cassandra Clare
- Clockwork Angel - Cassandra Clare
- Damned - Chuck Palahniuk
- Darkly Dreaming Dexter - Jeff Lindsay
- Dead Until Dark - Charlaine Harris
- Ender’s Game - Orson Scott Card
- Everything Is Illuminated - Jonathan Safran Foer
- Extremely Loud and Incredibly Close - Jonathan Safran Foer
- Fahrenheit 451 - Ray Bradbury
- Fight Club - Chuck Palahniuk
- Go The Fuck To Sleep - Adam Mansbach
- I Am America (And So Can You!) - Stephen Colbert
- I Am Number Four - Pittacus Lore
- Inkheart - Cornelia Funke
- It - Stephen King
- Life of Pi - Yann Martel
- Lolita - Vladmir Nabokov
- Marked - Kristin Cast
- Memoirs Of A Geisha - Arthur Golden
- My Sister’s Keeper - Jodi Picoult
- Never Let Me Go - Kazuo Ishiguro
- One Day - David Nicholls
- Paper Towns - John Green
- Percy Jackson and the Olympians: The Lightening Thief - Rick Riordan
- Pretty Little Liars - Sara Shepard
- Slaughterhouse Five - Kurt Vonnegut
- Snow White And The Huntsman - Lily Blake
- The Book Thief - Markus Zusak
- The Bourne Identity - Robert Ludlum
- The Giver - Lois Lowry
- The Hunger Games - Suzanne Collins
- The Kite Runner - Khaled Hosseini
- The Lovely Bones - Alice Sebold
- The Notebook - Nicholas Sparks
- The Outsiders - S.E. Hinton
- The Perks of Being A Wallflower - Stephen Chbosky
- The Princess Diaries - Meg Cabot
- The Things They Carried - Tim O’Brien
- The Time Traveler’s Wife - Audrey Niffenegger
- The Ultimate Hitchhiker’s Guide To The Galaxy - Douglas Adams
- Tuesdays With Morrie - Mitch Albom
- Uglies - Scott Westerfeld
- Vampire Diaries: The Awakening - L.J. Smith
- Water For Elephants - Sara Gruen
- Wicked - Gregory Maguire
Download books
I barricaded myself in my room to read the first few lines. Before I knew what was happening, I had fallen right into it. The minutes and hours glided by as in a dream. When the cathedral bells tolled midnight, I barely heard them. Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations, peopled by characters who seemed as real to me as my room. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story’s spell or bid farewell to its characters yet.

‘Thrift Shop feat. Wanz’ by Macklemore X Ryan Lewis
How can you not love this song? (‘Thrift Shop’ is my new jam).
Monday, September 9, 2013
For instance, I’m kind of a solitary. This would not satisfy everyone’s hopes, but for me it’s a lovely thing. I recognize the satisfactions of a more socially enmeshed existence than I cultivate, but I go days without hearing another human voice and never notice it. I never fear it. The only thing I fear is the intensity of my attachment to it… I grew up with the confidence that the greatest privilege was to be alone and have all the time you wanted. That was the cream of existence. I owe everything that I have done to the fact that I am very much at ease being alone. It’s a good predisposition in a writer. And books are good company. Nothing is more human than a book.

Spray and cloth cleaner in one (for digital screens).
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Sunday, September 8, 2013
It’s very weird that we’re on a fucking rock flying through the universe, and it hardly ever comes up. Every body wants to talk about Brad and Angelina’s baby, “Oh my god he’ll have the best bone structure of all time.” No body wants to talk about how we’re on a fucking rock flying through space! Above you is the craziest thing you could ever look at and they hardly ever look at it.

The most gorgeous phone setup I’ve ever seen.
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Saturday, September 7, 2013
Friday, September 6, 2013

The thought manifests as the word;
The word manifests as the deed;
The deed develops into habit;
And habit hardens into character.
So watch the thought and its ways
with care,
And let it spring from love
Born out of concern for all beings.
As the shadow follows the body,
As we think, so we become.
—Guatama Buddha, Dhammapada
Photo Credit: H.H. The Dalai Lama from sapru on flickr.via: parabola-magazine.