
It’s Sunday, so this is kinda like church, right? Here’s my sermon for the morning.
My husband rocks.
It’s Sunday, so this is kinda like church, right? Here’s my sermon for the morning.
My husband rocks.
This week's Weekend Reading contains some absolute gems- so without further ado, here are the articles worthy of your attention this weekend:
Every morning with breakfast, I sit down to watch The Daily Show, reveling in its ability to update me on the world’s happenings while at the same time eliciting the laughter so critical to beginning a new day. Yesterday, I sat down with my unassuming bowl of raisin bran and turned on the DVR. The recording had caught the end of It’s Always Sunny, so I quickly hit the fast-forward button.
On a DirecTV DVR, if you fast-forward, when you finally hit the “play” button, the recording skips back a few seconds, assuming that your fingers did not respond to your brain’s command as quickly as is necessary. So, when I finally hit the play button, Jon Stewart was saddled up to his familiar desk, beginning his opening statements. Since the recording had gone back a few seconds, though, what I saw actually began with the title sequence- that familiar booming voice announcing ceremoniously that “This is the Daily Show with Jon Stewart.”
I noticed a strange relief come over me when I saw that the recording had skipped back to the title sequence. I wondered why. I’d seen this sequence, literally, hundreds of times. Why did I attach any importance to it?
Instantly, the words of Alfred Hitchcock came to mind:
There is no thrill in the bang... only in the anticipation of it.
It was the anticipation- or, more accurately, the suspense that the title sequence built that subtly and silently thrilled me.
This appreciation for suspense is one of life’s great joys, and one that largely goes unnoticed.
There are epic moments in all of our lives. Indeed, we seem to hopelessly attempt to model our lives after Hollywood scripts, simply attempting to fill the space between those epic moments.
Maybe you’re writing a novel, the completion of which is your next epic moment. Maybe you’re a mother, and wait impatiently for those all-too-rare moments in which your child takes her first steps, or makes you so proud that you feel that you might burst. Maybe you’re working eighty hours a week in hopes of finally making partner at your firm. Maybe, if you judge your life to be woefully lacking in epic moments, you turn on the TV or go to the movies to witness others' epic moments.
Such is the state of life, that none are happy but by the anticipation of change: the change itself is nothing; when we have made it, the next wish is to change again.
Looking at life through the lens of the epic inevitably yields many blind spots, but it is those who master the art of peripheral vision who are truly life’s conquerors. In that peripheral vision lies suspense, anticipation, and life itself.
If you've prepared a cup of tea, take a moment to savor the aroma, the warmth, before you take that first sip. If you're about to delve into War and Peace, take a breath and simply acknowledge the weight of it in your hands. If you’re writing a novel, develop the awareness to appreciate the time spent in front of the blank page, of honing your craft. If you’re a mother, learn to see the mind of your child churning, radiating in every direction as she begins to grasp the concepts that will eventually lead to the stellar report card. If you’re a lawyer, or an advertiser, or a barista, or a civil worker, take off the glasses and let the blind spots reveal themselves to you. It is there that life resides, and it is only when the fog lifts that you can begin to savor the anticipation of it.
An intense anticipation itself transforms possibility into reality; our desires being often but precursors of the things which we are capable of performing.
We think constant connection will make us feel less lonely. The opposite is true. If we are unable to be alone, we are far more likely to be lonely. If we don’t teach our children to be alone, they will know only how to be lonely.
It is hard to know how our future descendants will regard the little sliver of history that we live in. It is hard to know what events will seem important to them, what the narrative of now will look like to the twenty-fifth century mind. We tend to think of our time as one uniquely shaped by the advance of technology, but more and more I suspect that this will be remembered as an age of cosmology—-as the moment when the human mind first internalized the cosmos that gave rise to it.
Drink your tea slowly and reverently, as if it is the axis on which the world earth revolves – slowly, evenly, without rushing toward the future. Live the actual moment.
I’ve been thinking lately about character. Iskra Fileva, of whose writing I am becoming quite fond, recently dissected the essence of character in a New York Times piece entitled Character and Its Discontents. In it, Fileva takes issue with a recent claim made by two preeminent philosophers: namely, that character does not exist, and that what we perceive as character is only a very fluid result of specific sets of circumstances.
If this were true, the results would be devastating. Imagine a world in which character does not exist- in which any act is merely the result of external pressure. Fortunately, this position seems to hold no water.
When people act ‘out of character,’ they may just be revealing their deeper tendencies.
Fileva deftly tears down the argument with two retorts, both circling around the concept of unity (in this sense, a unity of character). The first uses as an example a lover whose partner is incarcerated for an unspecified crime. The concept of perspective bias explains that this lover maintains a view of her lover’s kind and gentle nature only because her lover is kind and gentle towards her. She refuses to acknowledge the aspect of his character that may have been capable of the crime he is accused of, simply because she has never witnessed that side of him. By and large, we are all egregiously guilty of perspective bias. Indeed, it seems to be a core principle of human nature.
The second argument against the lack of character uses as an example Tolstoy’s shameful treatment of his illegitimate son, explaining it away with the master motive argument. This concept simply states that we all have an underlying essence of character that trumps all others. In Tolstoy’s case, that essence, that motive, is perfectionism. The same perfectionism that drives him to so masterfully lead his reader to a place of gripping empathy for his characters is the same perfectionism that enables him to cast off his son, simply because his presence, his mere being, creates for Tolstoy an imperfect life. This master motive concept, too, we all exhibit in some manner.
These, of course, are extreme examples, but examples which, in my mind, cast aside the notion that character is non-existent, and allow character to firmly take hold of its place among our psyches.
I don’t think these arguments go quite far enough, however.
Character itself is perhaps an infinite concept, in that its edges, its nooks and crannies, its intricacies are not only largely unknown, but perhaps even unknowable. The problem, it seems to me, of the fact that we are all so capable of so many terrible acts based upon our circumstances, as exemplified in so many movies in which a “good” character is driven to some malicious act by sheer despair, lies not in the absence of character, but in the existence of all character within each of us. (Much in the same way that followers of Zen- and many other wise men and women- maintain that the entire universe lies within each of us, a claim becoming more widely adopted among physicists as they realize that we are, indeed, made of star stuff).
It’s not so strange a claim, when you think of it. Our physical bodies are incredibly similar. Two arms, two legs, one heart, one brain, etc., all serving the same functions. The degree to which these body parts are effective, however, varies wildly. You do not have the same lung capacity as a marathoner. I do not have the same level of brain function as, say, someone with a photographic memory.
Is it such a stretch, then, to think that the very essence of us- our character- operates on the same principle? That we are endowed with all the possibilities of character, parts of which operate at different levels? Would that not explain the capacity in us all for every action, every behavior, under the right circumstances?
Consider Raskolnikov, Dostoyevsky’s perfect example of this type of division within one’s self. Crime and Punishment is a brilliant lesson in this sort of dichotomy. Raskolnikov is at once a highly compassionate and maliciously cold character- so much so that Dostoyevsky actually uses two completely different characters to convey this division- in the novel, Sonya represents his loving, generous, and self-sacrificial side, while Svidrigailov represents the malicious and self-serving aspect of his nature. It is precisely because we as readers can identify with both sides that this character is so intriguing. All character exists within all of us: the differences in the degree to which we cultivate their nuances is the essence of who we are.
It could be, however, that the seemingly contradictory bits of evidence reveal not the lack of character but people’s deeper tendencies.
Which brings me to my final point: if we have such extraordinary power as to shape our own character, to feed or tame the beasts that lie within us to achieve our desired selves, on what, then, do these beasts feed?
The answer lies in the people that surround you- your friends, your family, your teachers, your confidants.
There is a select group of people I interact with regularly who feed my intellectual hunger. While working on a play, the wonderful theater folk I work with feed an insatiably carnivorous creative creature inside of me. I also have friends who make me feel as if I’m a fifteen-year-old boy again, forgetting at once the pressures of the world and leading me to a place of child-like laughter and joy.
None of these people are better or worse than another, and none are more or less essential- they simply feed different beasts. They all, every one, make me a better person for having known them. The only true danger comes when I allow myself to be influenced by those who try to tear me down to their level (in other words, to feed the beasts of jealousy, anger, pettiness, etc, that I would rather let starve).
You are not simply a result of your genetic hand-me-downs. Neither are you solely a result of your environment. Instead, you are a rich cacophony of both, and of more. The only true path to knowing yourself is in taking a road that leads you to the people you love, the people who make you better. The next time you find yourself surrounded by these miraculous people, reflect a bit on the marvel that they are, because they are not just they, but are a lake shimmering with possibilities. If you gaze into the lake, you will see all the possibilities of who you may become shining back at you.
I've been detained by life these past few weeks, but fear not. Weekend reading is back. Some of these may be a couple of weeks old, mind you, but nevertheless, these are the pieces worthy of your attention this weekend. As always, poorly designed sites are presented in Readability view, while sites optimized for a good reading experience are presented in their original format. Happy reading.
Thomas Jefferson, writing to his predecessor, John Adams, ‘The day will come when the mystical generation of Jesus, by the Supreme Being as his father, in the womb of a virgin, will be classed with the fable of the generation of Minerva in the brain of Jupiter.’
I would rather read a mediocre book than waste time sitting around with people making small talk.
The brain, it seems, does not make much of a distinction between reading about an experience and encountering it in real life; in each case, the same neurological regions are stimulated.
Fiction allows us to “enter fully into another’s thoughts and feelings.” I can think of no more useful quality to enhance than our ability to empathize. Empathy tends to lend context, and it is only by filling in the blanks with context that we can fully understand a situation, whether it’s a politician’s latest misstep, the intricacies of the Palestinian/ Israeli conflict, or the bully that keeps taking your daughter’s iPod on the bus.
Fiction specifically enhances our theory of mind, an area seldom surpassed in its transformative qualities once understood, and enhanced. An improved theory of mind enhances our real-life social skills, and as Paul cites in her piece, study after study (specifically two studies conducted in 2006) plainly show that regular readers of fiction have a keener theory of mind, and are therefore much more adept at empathizing. The same goes for our children: those who are read stories are sooner able to navigate their social world with skill than those who gorge on television.
What does all this have to do with the web? How does it relate to the so-called Information Age that we now find ourselves in the midst of? It’s really quite simple: since the dawn of the paradigm shift in reading- the rise in ebooks, the increase in the sheer availability of books- people read more. The Pew Foundation has reported a remarkable increase in reading among those who have access to digital literature. The societal implications of this could not be more profound. Think of the effect it could have on democracy itself. If the enemy of progress in a democratic society is the ignorance of the masses, how world-altering would it be if the masses can chip away at their own ignorance? On a more individual level, how much more comfortable would I be with my daughter’s social skills if she has better access to reading material that enhances her social prowess?
Clive Thompson recently gave an interview on The Findings’ How We Will Read, discussing the advantages of his newly-constructed reading habits, centering around the digital format. Currently, he’s reading War and Peace- perhaps the most intimidating novel in literature- on his iPhone. He notes that the book is actually much less intimidating in this format, since he can only see one page at a time, never having to consider the bulk of the undertaking by literally weighing the book in his hands. He also mentions that the human brain tends to read more efficiently when narrow margins are used. Books in their traditional format were designed for economic efficiency (as many words on as few pages as possible, thereby reducing the cost to print), whereas digital formats feel no such constraint.
Thompson goes on to praise the effects on memory of repeating what you read, a practice made more frictionless by books’ evolving format, and here he gives a couple of examples.
In reading War and Peace on his iPhone, he’s able to select snippets of text that resonate with him with very little effort (and very little interruption to his reading flow). When finished, he can easily collect all these clippings and print them, so that he has a physical copy of the most powerfully personal bits of the text. “In short,” he says, “I have a physical copy of all of my favorite parts of War and Peace that I can flip through, with my notes, but I don’t actually own a physical copy of War and Peace.” If repetition is the key to true understanding, practices such as this could become invaluable.
Thompson also remarks that we have no idea what the ebook will yet become, as it has yet to even scrape the surface of its true potential. The real revolution will come when true conversations can be had in an engaging and frictionless way. What’s happened to the rest of the web- the rise of social- will inevitably happen to the printed word. Indeed, it’s already begun, but we’ve a long way to go. On the current state of ebooks, Thompson says this:
...they’re clearly horrible compared to what they’re going to be. I find it amazing that I can get this much pleasure out of them already.
Funny how we think of romance as always involving two, when the romance of solitude can be ever so much more delicious and intense. Alone, the world offers itself freely to us. To be unmasked, it has no choice.
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Meditation does not involve discontinuing one’s relationship with oneself and looking for a better person or searching for possibilities of reforming oneself and becoming a better person. The practice of meditation is a way of continuing one’s confusion, chaos, aggression, and passion—but working with it, seeing it from the enlightened point of view. That is the basic purpose of meditation practice as far as this approach is concerned.
Quite possibly the best writing setup ever.
…our civil rights have no dependence on our religious opinions, more than our opinions in physics or geometry…
Be it therefore enacted by the General Assembly: That no man shall be compelled to frequent or support any religious worship, place, or ministry whatsoever, nor shall be enforced, restrained, molested, or burdened in his body or goods, nor shall otherwise suffer on account of his religious opinions or belief; but that all men shall be free to profess—and by argument to maintain—their opinions in matters of religion, and that the same shall in nowise diminish, enlarge, or affect their civil capacities.
The ultimate state of love is freedom, absolute freedom, and any relationship that destroys freedom is not worthwhile. Love is a sacred art. To be in love is to be in a holy relationship.